About Davincii
Publishing administration, built for writers.
Independent songwriters come to us for publishing administration. Add songs in moments — usually under a minute — and we file them with the societies paying writers around the world, collect the resulting royalties, and leave every point of ownership with you.
What we do
Follow one song through the machine.
Music generates money from both the composition and the recording. Your distributor covers the recording side. The songwriter's side — the composition — follows the path shown below. Many independent writers never complete that path, so unclaimed money later gets redistributed to those who did register.
01 — Written
It starts in a room like this.
You write the song, record it, then release it. An entire industry supports the recording — labels, playlists, distributors. But the composition beneath that recording is often overlooked. We're here to handle that half.
02 — Built
Add the song. We take it from there.
A work takes only moments to add in your dashboard — frequently just seconds — with its title, writers, and splits. Then we create the file ready for registration, check it against your current catalog, and prepare delivery — without spreadsheets or separate logins scattered across a dozen society portals.
Priority artists on Davincii Blueprint — available by invitation — have their complete back catalog built for them without lifting a finger.
03 — Filed
Delivered the way the majors deliver.
We send your works using CWR, the standard format across the industry — filing them directly with collection societies that monitor your mechanical and performance royalties around the world.
04 — Watched
Filed isn't finished.
Every delivery gets an acknowledgment file back from the societies. We review each one — correcting rejections and tracking down duplicates — so your dashboard reflects what's truly confirmed, rather than only what went out.
05 — Paid
Collected, split, and shown to you.
Dozens of sources return royalties in dozens of different formats. We turn them into itemized statements in your dashboard — broken down by song, society, and royalty type. Our commission is deducted from collections, never paid from your pocket.
100%
Ownership you keep
$0
Upfront fees or minimums
240+
Countries & territories in reach
0
Wait to start submitting songs
How we operate
We administer. We don't acquire.
You keep full ownership of your compositions, your masters, and your sync rights. Cancel anytime with 30 days' notice — no minimum term, no lock-in.
You always know what's filed.
Your dashboard tracks every song as submitted, registered, or awaiting your input — the status changes as the work advances, before you need to ask.
Direct to the societies.
We use our publisher memberships and each society's required formats. Your catalog reaches the people paying it without a white-label intermediary.
We earn only when you do.
There are no minimums or upfront fees. We take our commission only from the money we collect for you — never before it arrives.
Who's behind it
Founder-led, and it stays that way.
Davincii began in Brooklyn, founded by Nitzan Gribetz, and we work like small publishers once did: whoever files your registrations also responds to your email. There are no account manager layers or ticket queues — if a society rejects a work, a person here reviews the acknowledgment and corrects it. Our roster stays intentionally small, letting us know each catalog we administer.